Three suites which constitute one of the most remarkable testimonies to the instrument’s French repertoire with particularly neat engraving. Various pieces have several couplets. A “Tombeau de M. Marais” is especially noteworthy. ¤ Trois suites qui constituent l’un des témoins les plus remarquables du répertoire français de l’instrument, d’une gravure particulièrement soignée. Diverses pièces ont plusieurs couplets. On note un Tombeau de M. Marais.
Original edition restored by Atelier Philidor ¤ Instrumentation: viola da gamba (bass), basso continuo ¤ Edition | Source: Facsimile (2015, second restoration 2021) | L’Auteur, Paris, 1737 ¤ Pages | Format: 2 volumes, 66 pages | A part-book for the bass viol without fingerings and continuo without figures was added by Atelier Philidor to facilitate legibility and performance. ¤ Notation | Clefs: F4, C3, figured bass, original fingerings noted by the composer for the solo bass viol. ¤ Ref: BI105
Digital copy available. Contact me to receive a free pdf copy. ¤ Disponible en version numérique. Contactez-moi pour recevoir le fac-similé gratuitement en format pdf.
Printed copy of this facsimile is also available on demand, prepared and shipped by the music bookstore aux notes d’Orphée (Montpellier, France). ¤ La version imprimée de ce fac-similé est aussi disponible sur demande, préparée et expédiée par la librairie musicale aux notes d’Orphée (Montpellier, France).
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