During the late 16th and early 17th centuries, English lute music flourished. Bookended by the publication of John Dowland’s extraordinarily influential First booke of songes in 1597 and his Pilgrim’s solace in 1612, this period also saw a bloom of lute music in print, with at least thirty collections of songs for lute, voice, and small ensemble published in England. ¤ John Dowland (1563-1626) is generally considered to be first among the many lutenists who were active during this period. In 1597, while living abroad under the employ of King Christian IVth of Denmark, Dowland temporarily returned to England, where he published The first booke of songes, or, Ayres of fowre partes with tableture for the lute. The first booke was tremendously successful, going through four editions over the next sixteen years. He followed it in 1600 with The second booke of songs, or, Ayres, of 2, 4, and 5 parts and published a number of other highly influential books of lute songs.

Contents: Unquiet thoughts ¤ Who ever thinks or hopes of love ¤ My thoughts are wing’d with hopes ¤ If my complaints could passions move ¤ Can she excuse my wrongs ¤ Now, O now, I needs must part ¤ Deare, if you change ¤ Burst forth my teares ¤ Go crystall teare ¤ Think it though then by thy fayning ¤ Come away, come sweet love ¤ Rest a while you cruell cares ¤ Sleep wayward thoughts ¤ All ye whom love or fortune hath betrayd ¤ Wilt thou unkind thus reave me of my heart ¤ Would my conceit that first enforst my woe ¤ Come againe : sweet love doth now invite ¤ His golden locks time hath to silver turnd ¤ Awake sweet love thou art returnd ¤ Come heavy sleepe ¤ Away with these self-loving lads ¤ My Lord Chamberlaine his Galliard : A galliard for two to play upon one lute.